Saturday, February 22, 2014

Scope for Growth and Adversity

In my last post I got a little whiny (maybe even a lot)... feeling pretty overwhelmed with the work that's required to be a professional artist-artisan. For the most part I stand behind my previous comments, but I would be an ass if I didn't acknowledge that throughout all the trials and tribulations of this journey (that nobody forced me to take) there are a LOT of amazingly kind and generous people. These people offer all sorts of support, knowledge, advice and assistance. They hold me up when I need it and they'll even pick me up when I'm already down.  They do it all from the goodness of their heart and the kindness of their being. It's really inspiring.

Thank you!

"Thank you" seems insufficient.

In my feeble attempt to offer something back here, I realized that this is a recurring theme in life. This scope for growth and adversity. Several years ago I created this piece (below) that I knew would be the first in a life-long series on this theme.

Scope for Growth and Adversity  - 2011

This is the kind of piece that kids love. You get to interact with it. You have to interact with it or you will miss a major component of what it's all about.

Are you inclined to look inside? I hope so. 

If you ask me what it is, I will be hopeless inarticulate about it. I'm still discovering the answer. 

Inside there is a vaguely humanoid figure. Folded in a not-exactly fetal shape. Is it trapped in there? Is it developing? Is this an adverse environment? Or one that offers scope for growth?

There's no right answer. Where am I on this continuum? What is this experience to me? Can I change my experience? 

There are two ways to look into this piece I created. From the scope on the side (seen in the photo above) and also from a hole in the top. Either way you need to illuminate the interior some how, but you will only ever have the two perspectives.

figure inside

Tuesday, February 4, 2014

An Artistic Life.... Blow by Blow

One woman's story.

I was a wimp and I thwarted art as a career for most of life. Then I surrendered to it. A lot of artists take a different path. They embrace it when they are young and energetic and not too daunted by a bohemian life and lack of money. To some extent I had that experience too. Working as a biologist on conversation initiatives is hardly a path to riches and security either. But unlike the minimally paid biologist living in a cabin or even working in a office pouring over maps of critical habitat for endangered species, the artist is pretty much a one-person band. There's no NGO or government/industry program behind them, quietly soliciting money to keep their work going (except in rare and exceptional circumstances). No, the artist takes on all the roles: fundraiser, promoter/publicist, editor, designer, marketing, creator, maintenance worker, custodian you name it... if you're an artist it's probably being done by one person - you!!

I have days when my work is all about keeping the cabin (my studio) from dropping below freezing. Yep, that's a job! Other days when I will crack the kiln open to replace thermo-couples, relays and elements. Days when I make a supply run into the city (~200 km return trip) to load up with clay, glaze chemicals and the other supplies to keep the kiln running smoothly. I have other days that are spent designing posters for upcoming sales events or pottery lessons. And days like this when I'm nearly so defeated that I am almost ready to throw in the towel and admit that I'm not up to the challenge.

View from the studio on a snowy day.

The idea seemed simple enough at first. I was lucky to have had a steady job for enough years that I'd squirrelled away the funds for the space and the kiln, purchased wheels and other equipment bit by bit. Ceramics/pottery has pretty high start-up costs compared to some other art forms. I don't know how someone fresh out of art school would pull it off on their own. You definitely have to be creative about keeping the costs down.

My hope as a ceramic artist is [was] that I will be able to plug away at making things with clay that have real spirit to them. Hand-made pottery is art that you can use everyday. If you're sensitive to it, you can feel the difference between a piece made by someone's hands. The energy that went into making it is fired into the piece and stays with it for millenia. There are so many different styles that there is someone making pottery today that will speak to you this way.

I knew that I would have a challenge finding my "voice" as a potter and I knew that I did not want to be a production potter - which can complicate the task of finding and keeping a market for your work. I don't have a replacement for that bowl you got from me two years ago. Part of what keeps me excited about pottery and ceramic art is that I'm constantly mucking around and trying new stuff. I'm pretty sure I could live to be 120 years old and still find new things to try. The field is both deep and broad and there are many 80, 90 and even centenarian potters out there proving my point on this. I suspect they are not in a financial position to retire either.

Beatrice Wood, 105 years old

To keep my aspirations of working with clay I knew I would have to be creative, not just in my own work, but also in ways of maintaining some cash flow to keep the power flowing to the kiln and to continue to replenish the clay supply. For me, and many artists, part of that plan is to share the joys of working in their chosen medium with other people. I really love this aspect of the "job". It's a lot of fun. It's the MOST fun part of the job. Way more fun that packing up pottery and lugging heavy boxes of breakable items off to set-up to sell for a few hours and then re-packing it. No, I can say hands-down that if I'm not actually making something with clay, then the absolute next best thing is helping someone else do it.

So... here's what spurred this blog.... As you may have noticed, I'm offering three six week classes this spring. I was hoping to let our little rural community know about this. There's a great little website called "Annapolis Valley Events" that is supposed to be all about promoting arts and culture events in our community. I posted the notice about pottery lessons there and last night I was informed that I'm not eligible to post my event listing... 
"Hello and Welcome to 
Started in 2008, is a free portal for informing residents and visitors in the Annapolis Valley of upcoming arts, culture, entertainment, and educational events happening in the Annapolis Valley region. We have worked very hard to attract a specific, focused audience and want to ensure we can retain them with high quality content. In that regard, policies were put into effect to keep businesses separate from our event listings. Within these policies we do not list: 
Business events involving customer solicitation; Business advertisements or sales; Business run Fitness Classes; Sporting Events; Other events that are deemed to be business related ventures We make a conscious effort to keep commercial posts out of our event lists, as this is a site driven by the users, not by businesses."

So, I guess technically I am a "business" and that is too offensive to be considered an art event, even under the classes/workshops section. All this to say: you won't be finding me in the Valley Events. BUT, if you are interested, I do offer intimate classes (4-5 people) and workshops with clay. At most twelve people (in total) can participate in this little endeavour that is offered from spring through the fall in a little log cabin, which is also a ceramic studio.

the corporate headquarters

Thanks for letting me vent about this to you. Next time you see an artist, just know, they could probably use a hug and any support you can offer, which does NOT mean you have to buy something, but could just mean that you finally take that painting course you have been telling yourself you'd like to do or mentioning to your friends that there's a cool little pottery studio up the road that offers lessons from time to time...